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Beware of the chairs

Chairs. They provide comfort. Security. A soft spot to land a tired tush at the end of the day. And if you work at a desk eight hours a day, they definitely know your butt better than you do. 

But they’re deceptive objects: they support us, but they also condition us. Leaving us a bit numb and indifferent to spontaneous opportunities and whims.

Did you know that the fewer chairs you have at a party the happier your guests will be?

I learned that at my previous job in marketing where we regularly hosted events for our community.

Events were the glue that kept our community close. Without them, the social seams that we worked so hard to build unraveled quickly. Needless to say, we became damn good at party-throwing.

As soon as we entered a venu we removed all chairs in sight. 

Stacking them up in closets, behind bars, under blankets, so that when the first guests arrived they they had no where to hide. (If you’re wondering, the second most important thing is to have the music playing by the time people show up. There’s nothing sadder than a music-less party, ami right?!).

Speaking of parties. I held my first little gathering for my coaching clients a few weeks ago. It’s been a dream of mine since before I became a coach to build a community of awesome, inspiring women.

Chairs. They provide comfort. Security. A soft spot to land a tired tush at the end of the day. And if you work at a desk eight hours a day, they definitely know your butt better than you do. 

But they’re deceptive objects: they support us, but they also condition us. Leaving us a bit numb and indifferent to spontaneous opportunities and whims.

Did you know that the fewer chairs you have at a party the happier your guests will be?

I learned that at my previous job in marketing where we regularly hosted events for our community.

Events were the glue that kept our community close. Without them, the social seams that we worked so hard to build unraveled quickly. Needless to say, we became damn good at party-throwing.

As soon as we entered a venu we removed all chairs in sight. 

Stacking them up in closets, behind bars, under blankets, so that when the first guests arrived they they had no where to hide. (If you’re wondering, the second most important thing is to have the music playing by the time people show up. There’s nothing sadder than a music-less party, ami right?!).

Speaking of parties. I held my first little gathering for my coaching clients a few weeks ago. It’s been a dream of mine since before I became a coach to build a community of awesome, inspiring women.

Women who don’t know each other. Who come from different backgrounds. Who come with different expertise. Who come from different generations. From different cultures. Who have different projects and dreams. 

What would these fabulous women talk about? What common threads would they discover? How would they help each other? Get inspired? Partner or even create a project together? I just loved the idea that something could spring to life out of their unique and bizarre alchemy. 

So here I am. A “certified” event thrower hosting the most meaningful gathering of my coaching career, and I forgot the cardinal party rule. 

Busy welcoming people and setting up their pot-lock treats, ten minutes into the party I looked around and found a perfectly polite group of women seated shyly around a table. Hesitant to speak. Stiff and self-conscious. 

Why? Because I forgot to hide the chairs!!

I could have just left them there, of course. Hoping “the mayonnaise would take” as they say in French, that these disparate ingredients would somehow whip themselves up into a seamless blend. 

But I made an executive decision. I told everyone that at the count of three they all had to stand up and forget the chairs existed, kicking those social crutches to the curb for the evening. 

They indulged me (I am their coach, after all). And the energy shifted just like that. People started milling about. Conversations got louder. Little groups came together. Numbers were exchanged. Bonds were formed, and by the end of the evening they were clamoring for more opportunities to get together to share stories, learnings and challenges from their self discovery journeys.  

The mayonnaise did take. In large part thanks to the forbidden chairs.

So I ask you, what proverbial chairs could you move to side to loosen up your moves?

What’s supporting you just a little too much?
What crutches are you turning to that you likely don't need as much as you think?
What if those "chairs" weren’t there? 
What would you do? 
Who would you navigate towards? 
What muscles would you strengthen? 
And where would those muscles take you?


Let me know what comes up. 

PS. Speaking of chairs, I've got two seats left at my upcoming Vision Board workshop in Paris on June 21st. Head over here to reserve your spot. 

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Authenticity, Identity, Comforting Fears Zeva Bellel Authenticity, Identity, Comforting Fears Zeva Bellel

Creepy Stroller Stage Prop

The red-headed drag queen with the never-ending legs, gold glitter eyeshadow and pointy stilettos kept appearing on stage with a khaki-colored baby stroller from the 50s. 


Just like that creepy Rosemary’s Baby stroller with the devil’s baby inside. 


What the hell was that stroller doing there all of the time? 


Were the songs all about babies? Collateral from previous relationships? Reflections on responsibility and independence? The pursuit of liberty? Growth and transformation?


I had no idea. 


All of the songs performed that night were by an old-school French composer named Jean-Jacques Goldman that none of us American expats in my entourage had ever heard of. (side note: a friend chose the campy drag show as a fun offbeat activity for a birthday celebration, and it was a BLAST!). 


When the stroller appeared on stage for the third time, my friend Ajiri leaned over and whispered the exact question that was running through my mind for the last 45 minutes: “What’s the deal with the stroller?”

The red-headed drag queen with the never-ending legs, gold glitter eyeshadow and pointy stilettos kept appearing on stage with a khaki-colored baby stroller from the 50s. 


Just like that creepy Rosemary’s Baby stroller with the devil’s baby inside. 


What the hell was that stroller doing there all of the time? 


Were the songs all about babies? Collateral from previous relationships? Reflections on responsibility and independence? The pursuit of liberty? Growth and transformation?


I had no clue.


All of the songs performed that night were by an old-school French composer named Jean-Jacques Goldman that none of us American expats in my entourage had ever heard of. (side note: a friend chose the campy drag show as a fun offbeat activity for a birthday celebration, and it was a BLAST!). 


When the stroller appeared on stage for the third time, my friend Ajiri leaned over and whispered the exact question that was running through my mind for the last 45 minutes: “What’s the deal with the stroller?”


Then I looked carefully and realized that the stroller wasn’t just a bizarre prop, but a makeshift stand for the drag queen’s song lyrics. That’s why she was always singing to the stroller!


I shared my discovery with Ajiri and we both agreed how freaking brilliant that was, and here’s why:

  1. Evaluate & focus on the essentials, even if it means making some adjustments:
    Since the performances at Madame Arthur change each week, the drag queens only have a few days to learn their songs. (next week: Barbra Streisand). That means they either have to sweat their sweet cheeks off all week memorizing those boring lyrics or come up with another way to put on a great show. My  guess is that they have better things to do between shows and feel like the stroller/lyric stand is a fabulous and cryptic work around for saving their precious time.

  2. Don’t let memorizing lyrics hold you back from being a diva onstage (aka process over perfection):
    One of the amazing things about working with constraints is how it forces you to get creative. We think we have to master everything, be an expert, reach that perfect (unattainable) place, that we never try anything for fear of failing and looking like a fool! But what’s so amazing about recognizing your limits is that you can get creative with what is in your control, and surprise yourself and others and bring a whole lot a joy to the process but just saying, “This is where I am now and this is what I’ve got. Enjoy!”

  3. Perfection is boring. Share your eccentricities and imperfections to inspire and empower.
    By doing/being who you are (limits, strollers and all) instead of waiting for the magic wand to make you perfect, you’ll create a ripple effect around you that inspires others to let their hair down and loosen up a bit. You can role model anything you want, including authenticity. And guess what. People see it and love it. Myself included. I’m now inspired to find my creepy stroller prop for my next scary challenge: getting on stage and singing at an open mic jam at a rock school performance with my husband (he’s a rock teacher for kids and adults and has convinced me that this will be fun!). I’m freaking out but also really want to do it. 

So what do you think my creepy stroller prop should be?

And more importantly, what creepy stroller prop do you need to create to try that thing out that you think you’re not ready for?

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